Friday, December 13, 2019

Lyric Free Essays

Originally a lyric signified a song sung to the accompaniment of a lyre. Thus lyric still carries the sense of a poem written to be set to music. A lyric Is a common short poem uttered by a single speaker who is expressing his state of mind very often in solitude. We will write a custom essay sample on Lyric or any similar topic only for you Order Now In dramatic lyric the speaker is represented as addressing another person in a specific situation like the poem Connotation by John Done. The genre comprehends a great variety of utterances from say the Dramatic Monologues of Browning complex evolution of feeling in the long elegy and the meditative ode. The recess of observation, thought, memory and feelings may be organized in a variety of ways in deferent lyrical expressions. Lyric is a poem in which the poet writes about his thoughts and feelings. The basic type Is the song, but we use the term to cover all poems that present the poet’s Immediate response to life, Including sonnets odes and elegies. Lyric poem deals with a range of experiences such as love, death, nature or religion or some domestic, social or political issue *Abstract Poem: It is a term used by Dame Edith Stilwell for verse that depends chiefly upon its auditory values for Its meaning. Such poetry Is analogous to abstract painting In which the arrangement of colors and shapes is significant though no physical objects are represented. Words are employed with little regard for their usual connotations, but rather for their aural effectiveness in a pattern of full and approximate rhymes and in the manipulation of rhythm. Stillwell own poems In the collection called Facade exemplify the type: These lines from her â€Å"Hornpipe† where, we hear, the dumb Sky rhinoceros-glum Watched the courses of the breakers’ rocking-horses and with Glacis Lady Venus on he settee of the horsehair sea! Ambiguity: In ordinary usage the term ambiguity means a vague or equivocal expression. Since William Meson published his Seven types of Ambiguity (1930) the term has widely been used to refer to a poetic device: the use of a single word or expression to signify two or more distinct references, or to express two or more diverse attitudes or feelings. Multiple meaning and popu larization are alternative terms for the use of language. Egg: in the play Antonym and Cleopatra when Shakespeare makes Cleopatra say â€Å"Come thou mortal wretch.. He implies a double edge to the word â€Å"mortal. Here it Implies both that the asp Is â€Å"fatal† or â€Å"death- dealing† and at the same time It Is Itself subject to death. *oddball: The popular ballad also called the folk ballad is the song, transmitted orally which tells a story. Ballads are thus the narrative species of folk songs, which originate and are communicated orally among illiterate or partly literate people. In all probability the original version of a ballad is composed by a single author, but he or she Is unknown; and each singer who learns and repeats an oral ballad is apt to introduce changes in OTOH the text and the tune, it exists in many variant forms. Typically the popular ballad is dramatic, condensed and impersonal: the narrator begins with the climax and tells the story tersely by means of action and dialogues, sometimes by means of dialogue alone and tells It without self-reference or the expression of personal attitudes or feelings. The most common stanza form called the ballad stanza- is a 1 OFF lines rhyme. Egg: this ballad from â€Å"Sir Patrick Spend† The King sits in Dumpling town, Drinking the blued-red wine: â€Å"O what will I get a GUID sailor, To sail this ship of mine? *Fabian verse: Consists of unrushed iambic (v pentameter (five iambic verse) hence the term â€Å"blank. † Of all the English metrical forms it is closest to the natural rhythms of English speech and at the same time flexible and adaptive to diverse levels of poetic discourse and hence has been more frequently and widely used than any other type of versification. Shakespeare made wide use of the blank verse in his famous soliloquies. * Aegis: It denotes any poem written in elegiac meter (alternating hexameter and pentameter lines). The term was used, however, to refer to the subject matter of change and loss. In the late sixteenth and seventeenth centuries the elegies were love poems that related to the sense of elegy as lament in that many of them emphasizes mutability and loss. It is in the latter part of the seventeenth century that the term elegy began to be limited to its most common present usage; a formal and sustained lament in verse on the death of a particular person usually ending in consolation. Examples are: W. H Addend’s In Memory of W B Yeats’, Alfred Lord Tennyson In Memoriam. The dirge is also a versified expression of grief on the occasion of a particular person’s death but differs from the elegy in that it is short and is less formal and is meant as a text to be sung. An important variant of the elegy is the pastoral elegy which represents both the poet and the one he mourns as shepherds. Million’s Lucidly is a fine example of pastoral elegy. *Free Verse: It is also called â€Å"open form† or by the French term verse libber. Like traditional verse it is printed in short lines instead of with the continuity of prose. However it differs from regular erase in that its rhythmic pattern is not organized into a regular metrical form?that is into feet, or recurrent units of weak and strong stressed syllables. Most free verse also has irregular line lengths, and either lacks rhyme or else is used only sporadically. The King James translation of the Biblical Psalms and Song of Solomon are examples of free verse. The following section from Longboats Hughes’ free verse poem â€Å"Mother to Son† Well, son, I’ll tell you: Life for me anti been no crystal stair. It’s had tacks in it, And splinters, ND boards torn up, And places with no carpet on the floor? Bare. *Sonnet: Sonnet is a lyric poem of fourteen iambic pentameter lines linked by an intricate rhyme scheme. The Italian or Patriarchal sonnet falls into two main parts: an octave and a sestets. The octave is of eight lines rhyming baobab, this is followed by a asset a six line stanza rhyming CDC. The octave presents the theme in the first quatrain and develops it in the second. The sestets dwells on it and brings it to a logical conclusion in the final trace. The Patriarchal form was later used for a variety of subjects by English poets like Milton, Wordsmith Christina Rosette and so on. The the English sonnet or the Shakespearean sonnet after its greatest practitioner. This sonnet falls into three quatrains and a concluding couplet with a rhyme scheme ABA CDC beef egg. These sonnets usually deal hopes of love and themes like pangs of separation. One notable variant of this form is the Spenserian sonnet in which Spencer linked each quatrain to the next by a continuing rhyme: ABA Bcc CDC e. The English form often repeats with variation a statement in each of the three quatrains, however in either of the case the final couplet usually imposes a final epigrammatic turn to the whole theme. *Epic: It is a long verse narrative on a serious subject, told in a formal and elevated style, and centered on a heroic or quasi- divine figure on whose actions depend the fate of a whole tribe, a nation or as in John Million’s Paradise Lost the human race. The epic was ranked by Aristotle as second only to tragedy and by many Renaissance critics as the highest of all genres. Literary epics are highly conventional compositions and usually share the following features. 1 . The hero is a figure of great national or even cosmic importance. In ‘Iliad he is the Greek warrior Achilles, who is the son of the sea nymph Thesis and Virgin’s Names is the son of the goddess Aphrodite. 2. The setting of the poem is ample in scale and could be the whole world or even vaster. . The actions involve superhuman deeds in battle, such as Achilles’ feats in the Trojan War or the long arduous wanderings of Odysseus on his way back to his homeland. 4. An the great actions Gods and other supernatural beings take an interest and an active part. 5. An epic poem is a ceremonial performance and is narrated in a ceremonial style which is deliberately assistance from the ordinary speech and rendered in a language in keeping with the grandeur of t he heroic subject. The epic conventions like beginning with an invocation to the muse to guide the narrator in the great undertaking are also very often observed. The term epic is also applied by extension, to narratives which differ in many aspects from this model but manifest the epic grandeur and spirit in the scale scope and the profound human importance of their subject. Herman Melville Mob Dick, Leo Tolstoy War and Peace both serve as examples of what is called epic ration. *Ode: A long lyric poem that is serious in subject and treatment elevated in style and elaborate in its stanza structure. The prototype of an ode was established by the Greek poet Poniard whose odes were modeled on the songs by the chorus in Greek drama. The complex stanzas of an ode were patterned in sets of three: moving in dance rhythm to the left is chanted the strophe; moving to the right is chanted the antiheroes then standing still at the centre is the epode. The regular Pandemic ode in English is written in the Pandemic form with the strophe and intentions written in one stanza pattern and all the epode in a different stanza pattern. The Pandemic odes were written in necromantic style; that is they were written to praise and glorify someone. The Pandemic odes were written to celebrate and glorify the victorious athletes in the Olympic Games. The English odes true to its Greek prototype were songs that were written in praise of someone or something. They were written to eulogies something that aroused the poet’s sensibility. Keats’ Ode on a Grecian Urn is a eulogy to the beauty etched on an Urn that the poet sees. How to cite Lyric, Papers

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